The Doobie Brothers’ Pat Simmons Talks Show at Caesars Atlantic City, Band Legacy & More!

Whether you were around during The Doobie Brothers heyday of the ’70s and ’80s or not, you have most likely rocked out to their music at one point during your lifetime. Timeless hits like “Black Water”, “What A Fool Believes” and “China Grove” have kept the band relevant and performing live now for decades.

Though countless musicians have transitioned in and out of the lineup throughout the years, original members Pat Simmons and Tom Johnston have kept the long train runnin! (See what we did there?). So much so that they will be making a stop at Caesars Atlantic City on June 29th!

We sat down to talk with Pat Simmons about all this jazz and more. Enjoy the interview, below.

The Doobie Brothers

TAC: This group has gone through many changes over the past 3 or 4 decades. How have you managed to keep everything intact and true to the authenticity of the group?

Pat Simmons: I think that probably the fact that myself and Tom Johnston, the original founders of the band, are still involved. We wrote and sang most of the songs that we’ve done through the years other than the Mike McDonald era which was about ’75 to about ‘82/’83. Prior to that, from 1970 to ’75, and then 1987 until now, Tom and I have been together. I think that having the two of us who wrote a lot of the songs and sang them, keeps it true in that regard. Then, John McFee who joined the band in ’78, is also on board with us. We got the three-guitar lineup and it brings all those various eras of guitar players into the fold. That gives it a certain amount of sound that we started with and continue to have. And we just have some great sidemen. We have two drummers which we started with in ’71 and then killer sax player Marc Russo playing saxophone, Guy Allison on the keyboards and John Cowan on the bass that sort of rounds out the band. Everybody pays a lot of attention to the history of the band. When people come and hear us, we want them to feel like they’re hearing The Doobie Brothers as they remember them.

TAC: You have the kind of band whose songs can be heard at any given time whether it’s on the radio, TV or out & about. Do you have a favorite reinterpretation of your music or any kind of encounter or interaction being out in public and suddenly hearing your music?

Pat Simmons: Some people have covered our songs through the years. The Isley Brothers have done some of our tunes. A few country artists have been doing “Black Water”, so that’s been kind of interesting. I just saw a performance of “Black Water” by a couple bands together on stage doing the song. The Dixie Chicks did “Black Water”, that was kind of cool. Bruce Willis actually did it in his band too! Darius Rucker did “Long Train Running”, so those are all great moments and certainly flattering.

TAC: Awesome! The Doobie Brothers sound spans many genres. That being the case, what is the writing process like for you, especially melodically?

Pat Simmons: It’s just kind of hit and miss to tell you the honest truth. Sometimes I’ll write down a lyric and then I’ll hear the cadence of it and try to come up with something that is suggestive. Sometimes melodies just jump in your head and you have no idea where they came from and you have a lyric that goes with it. Sometimes, you sit down and write a series of chord changes. Probably more often than not, that’s what you’re doing. You’re writing on your instrument and you come up with some ideas and that leads to melodic changes in the chords. So, any number of ways for me personally, because I think it’s different for everyone that writes. Those are all various ways that melodies come to me.

TAC: You’ve written so many timeless songs over the years. Have you found a formula for that or is it always just something that just happens naturally?

Pat Simmons: It is something that happens naturally. I don’t think there’s any formula for that. We’ve had quite a few writers within the band itself and through all those writers, they’ve all had some commercial success one way or another. I think that’s given our band a little bit of leeway to try different styles. And we certainly have gone in different directions with our music which is lucky for us because it keeps us from being pigeonholed in a way that we have to write a song a certain way for a certain audience. It hasn’t been that way for us. We’ve had good R&B stuff that’s probably more Urban and has been appreciated on Urban stations. We’ve had songs that are more Country; we’ve had songs that are a little bit more Jazz fusion kind of stuff that has gotten onto Pop radio and all through different styles of music and different singers within the band and different writers. It’s given us a huge amount of freedom to express ourselves. I count that as a positive.

TAC: How do you find the changes in the music industry since when you first started as a group?

Pat Simmons: As the population grows, there are more and more bands and probably less and less room for bands to find a shelf. Music has become a little more segmented. You have certain kinds of music that are only played on certain stations. It didn’t used to be like that in the old days; there were just a lot of different kinds of music thrown together and at any given time you could hear Jimi Hendrix next to Bob Dylan or something. These days, all your Rap and Hip Hop music is in one area, all your Hard Rock is a certain type of edgy, heavy metal, and then there’s a small window for general Pop music that is perhaps more melodic, and then there is more Easy Listening/Adult Contemporary stuff that doesn’t really Rock. It does have an edge to it, but not heavy. That is kind of interesting. I guess it makes sense because then you get to listen to the kind of music you want to listen to and you don’t have to be interrupted in terms of what you want to hear, but at the same time I think it kind of narrows people’s appreciation levels. I think all music is interesting and good, and it’s good to hear a lot of different music together. It makes you appreciate something that you never thought you would like before. Now, you may hear something out of context and decide you hate it because you just don’t take the time and listen to it. In that regard, I think that isn’t such a good thing. On the other hand, with the Internet and digital processing, it’s helped the artists record their work at more affordable rates and to be able to market it to a larger audience without spending quite as much. And you have access to that audience which I think is much larger with YouTube, websites and so on. Those are the biggest changes within the industry. It’s affected the record companies. The conglomerates are fewer and fewer. There’s a lot more independent production and marketing out there which is probably the biggest change within the industry right now.

TAC: How does performing now differ from those days in the ‘70s?

Pat Simmons: It’s pretty much the same for us! A lot of artists do a lot of dancing and pre-recorded tracks and stuff. We don’t do that. We pretty much get out there and play and be who we are. I understand the other aspect of entertainment, but it’s not something that we do.

TAC: What can fans expect from your show here at Caesars on 6/29?

Pat Simmons: We do a little bit of everything from all of our history. We try to do songs from all the eras of the band. We try to perform the songs that we know people want to hear. And then we dig in for some deeper cuts on albums of obscure material that people would never expect to hear. A little bit of everything. We try to mix it up. We do like to rock, so generally speaking, it’s a little more energetic kind of a show. But, we do some ballads and stuff as well. It’s an interesting mix of songs. We’re going to do a couple of new songs from our latest album as well so people can see what we’ve been up to lately.

TAC: Sounds great! We love that you have said that The Doobie Brothers have always been about hope – hope for good music, acceptance and a good future. You said – “You have to look towards the future and recognize that as long as there are thoughtful, intelligent people on the planet, there’s hope for the rest of us.” Do you feel as hopeful about the future now as you did when you first got your start? How is it different?

Pat Simmons: Our music has always been about lifting people’s spirits. When people go to a concert, I like to think that you feel better when you leave than how you did when you came in. That’s what we try to do. Make people feel good. As far as hope for the future, I’ve always been hopeful. Whether people agree with me or not, we have our first black President, we have women taking a rightful place in politics and business, and entertainment certainly. The arts have always been a springboard for women. I think that continues to be the case. Some of the biggest selling artists in the world are women. I can name Adele, Katy Perry, and those kinds of people who have really stepped up the level and raised the bar. To me, those are all hopeful signs for our society. Gay rights suddenly is becoming an issue that people seem to be agreeing on. Homophobia certainly isn’t going away, but people have started to recognize out of all the things to be afraid of, that would be one of the least. We have a long ways to go, but there is hope on the horizon.

TAC: We like that. What are you most proud of so far in your career?

Pat Simmons: I’m proud that I’ve done some satisfying music in my lifetime and that the audience seems to enjoy it. We’ve been able to kind of snowball that into doing philanthropic things for other people. That’s a real positive thing for any artist, to be able to give back to society and to use your career to be able to enhance your quality of life for others. I’m proud of my family. I’ve been able to have a great family and a very satisfying career at the same time.

TAC: Is there anything you haven’t done yet with The Doobie Brothers that you’re still itching to do?

Pat Simmons: There are always things that you’d like to do. I’d like to record more music and do some other things. On the same token, if today was my last day, I would feel pretty good. I wouldn’t have a lot of regrets.

 

And, you shouldn’t, Pat Simmons! Be sure to catch Pat, Tom, John and the rest of the fellas in action at The Circus Maximus Theater at Caesars on Saturday, June 29th at 9:00 p.m. Score your tickets here if you haven’t already!

The Bachelorette: Behind The Scenes In Atlantic City

One of the most exciting days ever to be had in Atlantic City was when The Bachelorette, Desiree Hartsock, came to town with a slew of her perspective suitors on March 27th & 28th.

We were lucky enough to be in the audience for the taping of the Mr. America Pageant you saw on the show earlier tonight. The taping took about two hours from start to finish and it went by like a flash. It was live to tape, no additional takes or do-overs were needed. And it literally started off with a bang as the Mr. America signage hanging on set crashed to the ground, almost taking out one or two of the contestants.

The Bachelorette

A couple of the guys tried to put it back in place, but the crew came to the rescue and secured it back to its rightful position. Be sure to watch for that one on the end of the season bloopers on the Men Tell All. We’ll put money down on that!

The pageant itself was…interesting…as you saw on the show, but absolutely hilar. Des had made a comment that she thought the talent portion of the competition would have turned out better on stage than in rehearsal, but apparently no such luck. It’s okay though, cause we had fun at their expense. And Chris Harrison really had fun at their expense. His sense of humor paved the way through the entire taping, and it didn’t matter if the camera was rolling or not. He played off the audience too. After the first contestant, Kasey, went all out with that tap dancing-ish routine, Chris made a remark about how we still had the majority of “talents” to see. An “oh, boy” came loud and clear from the audience and Chris answered back, “Oh boy is right!’.  A little while later the tune remained the same. “I know that you got in here for free, but you may want to get your money back anyway.” Our ribs hurt from laughing so hard. For reals.

Then of course there were lots of manly abs flashing around. Can’t complain about that. Chris joked again that abs were the secret ingredient of the show coming off Sean Lowe’s season. (Doesn’t hurt at all, Chris!). And then there were the acts that went from “talent” to strip tease…real fast. Our favorite had to be the hip thrusting straight into the face of Atlantic City Mayor (and Judge #2 of the pageant), Lorenzo Langford. Where else is it acceptable for some random dude to thrust into the face of an elected official?! Too funny. To which Chris Harrison asked the question “Do you want us to leave your city yet?”. The whole night was a laugh fest as I’m sure you sensed from tonight’s episode. We had a blast being there!

The next day, Des and her one-on-one date headed over to Showboat Atlantic City where they surprised Manny and Jan who were dining in the Foundation Room.

Foundation Room

The Mrs. enjoyed the fillet while the Mr. chowed down on the sea bass. The production for this particular scene started about five hours late and our server Josh who was supposed to be serving the couple throughout the evening, only showed up at the end of the night to present them with their album!

Another behind the scenes tidbit was that there was supposed to be a surprise party going on in Foundation Room after this scene for a producer’s birthday. Since the night was a late one, everyone involved had to improvise a bit. “They had a cake for the producer for a birthday and we had this whole thing planned out and no one knew about it and it got so late that they told me to put the cake up on the bar,” said Josh. “I put plates up there and gave them forks and napkins, put the cake up there, put the candles in the cake and left a pack of matches next to the cake and left. Since no one knew about the surprise party, no one was really doing anything to facilitate it happening.”

At any rate, we’re hoping that a celebration did eventually happen later on in the night and that everyone enjoyed the cake!

After the Foundation Room, Des and her date surprised the couple with a private concert with Darius Rucker at our House Of Blues Music Hall.

House Of Blues

There was dancing and smiles and Darius stayed late to talk to everyone, almost missing his flight!

So there are a couple behind the scenes tidbits for your Bachelorette viewing pleasure. We hope you enjoyed the show!

Fuel’s Brett Scallions Talks Show At Bally’s Bikini Beach Bar & More

Summer at the new Bally’s Bikini Beach Bar at Bally’s Atlantic City (duh) is in full swing and one of the most awesome things about it is that the Bikini Beach Bar will often host free, big-name concerts. The first big name to christen the bar will be none other than the popular rock band, Fuel. You know them from hits such as “Hemorrhage (In My Hands)” and “Bad Day” from the early 2000′s.

Fuel looks a little different these days than they did back then, though. Lead singer Brett Scallions parted ways with the band in 2004 and Fuel released their fourth album, Angels & Devils, without Scallion in 2007. However a new lineup of the band emerged in 2010 with Scallion back in the center of it all. The new Fuel has since played numerous live gigs and completed a new record set to be released sometime this year.

We recently sat down with Brett Scallions to talk about all this good stuff and more. Check out the interview, below.

Fuel

TAC: You guys were first known as Small The Joy when you first joined the band. What made you change the name to Fuel?

Brett Scallions: We were doing a thing called Reel To Reel, it was basically a cover band. As we started working on our own songs, we knew that we didn’t want to go out as a band with the name Reel To Reel. It was pretty terrible. We called the first demo that we did Small The Joy because that was the best name that we had in the hat at that time. We weren’t totally sold on it, but nonetheless we still did it. Not long after, we continued writing new material and had a band meeting and came up with the name Fuel and that’s where it started. It was as simple as throwing a bunch of names in a hat and pulling out the name Fuel. That’s how it all began.

TAC: How is the vibe of the band different now than in was in 2004 when you parted ways?

Brett Scallions: We don’t play the way the original Fuel would play and that’s not a bad thing. For me it’s a really wonderful, refreshing thing because something about this group is that we go out on stage and it’s four guys on stage. That’s what you’re ‘gonna see and that’s what you’re ‘gonna hear. You’re not going to be watching us and going ‘where is that extra guitar part coming from? Where’s the piano? Where are the strings coming from? Where are those background vocals coming from?’ It’s not like that at all for us. We don’t play along to Protools. It’s four guys on the stage. What you see is what you get. We’re having a blast playing together. We’re a much more bluesier-based band than the original Fuel is. We enjoy jamming. There’s certain parts of the show where we go in a free fall and everyone has to keep an eye on each other because we don’t know when we’re going to change to the next part. I learned about doing that with Ray and Robbie at The Doors.

TAC: Very cool. Do you feel more of a responsibility to the band being the only original member left?

Brett Scallions: I guess I have to run the ship. For lack of a better word, I have to be the boss. I have to make a lot of decisions that the others aren’t necessarily involved in. I always try to be diplomatic and make sure it’s the best for everyone. It’s not easy to run a band. It’s basically running the company. It is what it is. I enjoy what I do and I know that all the decisions I make are for the greater good.

TAC: What can fans expect from your show here at Bally’s Bikini Beach Bar on Friday?

Brett Scallions: I found that we are playing acoustic, so we’ll be hanging out. During acoustic shows, a set list is usually a reminder of songs we are capable of playing. We don’t go by a set list; we usually just refer to it to see what songs we can play next. I enjoy playing acoustic shows. It’s a much more laid back environment  and I can usually shoot the shit with the audience a bit so to speak and just lay back and relax and have some fun.

TAC: Your old drummer Ken recently left the band a couple months ago to focus on family. How do you balance work and life as a travelling musician?

Brett Scallions: It’s not easy. I’m a father of two beautiful boys and I miss them every second that I’m away from them. Luckily my wife came into our relationship fully understanding who I am and what I do and it’s hard sometimes, but we make the best out of things. They’ll come out and spend time with me. I’ll see them this weekend. They’ll be in Atlantic City, actually! We make the best of the cards we get dealt. Sometimes I miss an important function which hurts, but at the same time I have to do what I have to do. This is my job. I have many passions and my passions are performing music and being a father and the best husband I can be. I just try to balance it out and give everyone as much attention as I possibly can.

TAC: And how has it been working with your new drummer, Bryan?

Brett Scallions: Bryan’s great. He’s a good guy. We’re still in the ‘getting to know you’ stage for the most part. He’s got some big shoes to fill. I did two records with Ken and played with Ken for quite a few years here so there’s a large workload on any drummer who’s going to come in after Ken Schalk, but he’s doing good.

TAC: How do you balance Fuel with your other band, World Fire Brigade?

Brett Scallions: With that project, we’ve never even done a show or performed those songs live. Right now that’s not even an issue of juggling. That was a record where I got together with Sean Danielsen of Smile Empty Soul and Eddie Wohl and just wrote the record. We didn’t know what to do with it, we didn’t know anything about what we were going to do with the music, we just wanted to get together and write a fun record. Mission accomplished on that. If by chance the record really just takes off and there’s demand to see us perform it live, we’ll cross that bridge when we get to it.

TAC: How is Fuel different from all the other bands you’ve been a part of?

Brett Scallions: Fuel’s been in my life since ’93 or ’94 and I’ve been doing this for a long time. This is the old, comfortable shoe. Anything else that I do is an exciting, new pair of running shoes. Those always feel good too, but it’s always good to go back and play the old stuff and have a good time with what I’ve worked hard to help make what it is today.

TAC: What can you tell us about the new single being released sometime soon?

Brett Scallions: We’re still trying to decide on which single it’s gonna be and when the actual release date is. Luckily for us, we all feel like we have multiple options which is a good feeling. You don’t want to make a record and go ‘well I think this is the only song that we can make a single.’ You want to have multiple singles and we feel like we have that. Just deciding on which one it is and when to release it, we’re still working that out, but it will be mid-to -late summer. Worst case scenario in the early fall.

TAC: What about the new album?

Brett Scallions: The record is done. We’ve recorded everything that’s on there and we’re just about to go into the mix mode. We’re going to start mixing the record. In the past with older Fuel records, my old guitar player Carl did a lot of the writing. I did my share too of course, but he did a lot of the writing. I wrote the bulk of this record, but we really collaborated on this record between myself and the bass player Brad and Andy Andersson. The three of us really collaborated on a number of songs on this record and some of them were just totally written by accident, hanging in the front lounge and playing acoustic guitar. Those usually end up being some of your favorite songs because they are spontaneous and as real as it gets kind of songs. I’d also say that this is a much bluesier-based rock record than previous Fuel records.

 

Looking forward to the new record, but in the meantime, REALLY looking forward to the show at Bally’s Bikini Beach Bar at Bally’s this Friday! Fuel hits the stage at 10 p.m.! Fuelies, you’re welcome!

Air Supply’s Russell Hitchcock Talks Show at Harrah’s Resort Atlantic City, Successes, Future Plans & More!

Sing it, ya’ll.

You know you want to. You’ve loved it since 1980. It’s even still Air Supply lead singer Russell  Hitchcock’s favorite song to perform live after all these years! We know this because we sat down to chat with him recently about the group’s upcoming gig at Harrah’s Resort Atlantic City on Saturday. Check out the interview, below.

Air Supply

 

TAC: You’ve been in this professional marriage with Graham Russell for 38 years now. What are the secrets that keep this duo going?!

Russell Hitchcock: I guess we never got married, that’s probably the first part! Since the very first day we met, we had a great respect for one another and each other’s talents. I enjoy singing his songs more than anyone else’s I’ve ever had to sing. He’s a great friend. We don’t step on each other’s toes. We both have very defined roles. He’s the songwriter. He’s a great guitar player and has a great voice, but his prime thing is writing the songs and I’m a singer so there’s no animosity with me saying that I want my songs on the next recording. We’re very different people. He’s a very outdoorsy guy and lives in the mountains in Utah and I live in Atlanta in the city. Just a whole bunch of stuff that’s very complimentary and not intrusive on each other. It’s all about the music, though. That’s what has kept us together for almost 40 years and that’s what drives us to make Air Supply better than it was yesterday. It’s one of those relationships that we don’t really question so much because there’s no reason to. It works on pretty much every level.

TAC: You guys apparently used to be so poor that you used to check for change behind furniture in your hotel rooms! When do you remember that feeling changing and felt like you finally made it?

Russell  Hitchcock: We don’t really think that we’ve made it yet! We’ve had tremendous success, don’t get me wrong. After we had our first hit, it took about two years for any kind of decent money to come in and the first one was bigger than I’ve ever seen in my life, so I thought that maybe we had a future now.

TAC: You released a solo album in 1988. What did you learn from this and do you think you’ll ever try it again?

Russell Hitchcock: I’ve actually done two of them, the first one was in ’88 and it was released by Clive Davis from Arista Records. We had the best songwriters and the best musicians, but people didn’t like it for some reason. It still blows my mind. It wasn’t accepted as well as Air Supply’s music has been because it was during a period when we were very high profile. It’s nice to step outside of your comfort zone of what you’re doing and do something else. It always scares me. I just did an album in Nashville a couple years ago; a double CD of 20 songs recorded and written in Nashville and I really enjoyed doing that because I’ve always loved country music. I just like the process of recording and being in the studio because unlike live where you have one shot to get it right, you can pretty much take your time and do it to get it as good as it can be. My career and everything I have I owe to Air Supply. It’s always the priority. To do other things is nice, but it’s not really something that drives me every day because I can’t do it.

TAC: You guys have had so many great hits throughout your career, do you have a personal favorite or what has been your favorite to perform lately?

Russell Hitchcock: My favorite song to perform on stage is probably “All Out Of Love” because it probably gets the best response of the evening and it’s probably the most requested song we’ve ever had. As far as our career is concerned, my favorite song is “Lost In Love” because it’s a song that was a big success in Australia in 1978 and then it took a couple years before it was released in North America and then worldwide. It really changed everything overnight when that was a hit, so “Lost In Love” would be it for me.

TAC: The last single you guys released was “Sanctuary” in 2011. What’s yours?

Russell Hitchcock: Where I am now, at home! I love to get off the road and come back and put my feet up and get caught up on all the programs I recorded. We like to get outside and grill out as much as we can. It’s nice and peaceful where I live, so that’s probably my sanctuary.

TAC: Your next single will be a dance track called “Desert Sea Sky” from a new EP you guys are currently working on now! What can you tell us about this track & the EP so far?

Russell Hitchcock: This mix is very different. We teamed up with a couple guys from Israel who do dance mixes. It’s very dance oriented. The vocals are some of the best we’ve done. When we were doing it, it was reminding me of recording some of the background vocals for “Lost In Love”. I think it’s a great song. The other songs, I’ve only heard them a couple times. In fact, Graham is in Utah recording them as we speak. I’m not really familiar with how they’re going to work out because I haven’t heard everything yet, but we’re looking forward to releasing that. It will be a nice little appetizer for another studio album next year.

TAC: You literally have fans from all over the world. How are they similar? What is an Air Supply fan?

Russell Hitchcock: They relate to the same things whether it’s in Japan or Southeast Asia or Dubai or America. They all relate and connect with the song. In every audience that we play, people sing along. There’s something special about the songs for them. We get the same kinds of e-mails: ‘I met my boyfriend and fell in love to your song or I broke up with my girlfriend and your song…’ It’s all about your song and this happened. It’s the music that unites all of them, that’s for sure.

TAC: What is your favorite country to perform in other than your home country of Australia and why?

Russell Hitchcock: The United States was my favorite, probably still is, but I love to go to Hong Kong, I love Argentina. It’s like saying who is your favorite child, I can’t do it! It’s not fair to the others!

TAC: Understandable! What can fans expect from your show here at Harrah’s Resort on 6/15?

Russell Hitchcock: I think there’s one new guy in the band since we played there last, so that’s another dimension. We have a new drummer that’s only been with us for a short while. People will get the songs they expect to hear played with passion and energy, as much as we can give. Graham does a great solo thing in the middle of the show. Depending on what the time constraints are, we’ll play a couple things that people have never heard before, so we never rest on our past or our laurels as they say. We always want to engage the audience and have them leave saying it’s one of the best concerts they’ve ever seen and remember the experience.

TAC: Is there anything on your bucket list as a group that you still want to accomplish?

Russell Hitchcock: Tons! We obviously would like to have another recording that’s extremely successful and have radio support us as they’ve done in the past. We’ve never been to Russia, that’s one of the things we want to do and we haven’t toured Europe extensively. Those things would be in the top five. We still feel that we perform at a very high level and people want to see us still. We love what we do, certainly, and we’re involved with a great bunch of people, both in the band and the crew on the road now, so it’s always a pleasure to be out touring. I just want to keep doing it until I don’t feel like I can do it anymore, or I think I feel stupid doing it!

We love it! And we’re glad we have the opportunity to see you still doing it on Saturday at Harrah’s Resort!

Grab your last minute tickets here if you haven’t already! Air Supply hits the stage at 9 p.m.!

 

 

 

 

 

 

 

 

 

 

 

Your Total AC Blog Legends In Concert Show Review: Summer, Part 1

In case you are late to the party, let us fill you in on a little secret. A new Legends In Concert cast has taken over the stage at the Legends Theater at Bally’s Atlantic City. Katy Perry, Tom Jones and Michael Bublé  have joined our old friends Tina Turner and Elvis for an electric show of mega-hits spanning over a whole slew of decades.

Katy Perry starts things off the only way she knows how: with a sweet medley of “Teenage Dream”, “Hot And Cold” and “California Gurl”…and blue hair in a candy-coated, glittery-clad outfit of multiple, bright hues.

Katy Perry 1

And the dress isn’t the only resemblance to the real deal. Katy’s signature big mouth facial expressions and exaggerated performance moves also make an appearance. We’re not gonna lie, they are a little weird at times, but as is Katy Perry. At one point, she even thanked the audience for “believing in her weirdness”.

Adding to this sentiment, our fav weird, Katy Perry moment was when she did a quick, little costume change for “Last Friday Night” a la the official music video complete with head gear and glasses.

Katy Perry 2

Totally classic. We were waiting for Rebecca Black to make an appearance too, but no dice. Oh well. Still awesome to say the least.

This is probably the only show in the world that could go from Katy Perry to Tom Jones…and it does! Tom’s style was very understated compared to Katy’s:

Tom Jones

Black. But his personality made up for it like Tom Jones would! Big, engaging eyes, old school hip swivels, and of course flirting with the ladies. He event went as far as kissing one smack, dab, full on the mouth! Tom Jones, for ya. He gave the audience a somewhat dainty performance of “What’s New Pussy Cat” with gallops, snaps and jumps, but totally unleashed the soul during his rendition of “Fall In Love”. Great vibrato to say the least. The crowd was loving it.

And then  Michael Bublé appeared next and tried to steal his thunder.

Michael Buble

And by thunder, we mean ladies because the charm of this crooner gets ‘em every time! From the opening notes of “Feeling Good”, there was an uncanny resemblance. The voice was right on. Perfect vocal slides. Perfect pitch. Even perfect speaking voice. He played with the audience and played off them, too. Threw in a little humor at the right times and searched the crowd during “Haven’t Met You Yet”. Love The Bubes…like The Biebs…but the Bubes.

Then Tina Turner and Elvis closed the show, as is their custom.

This cast of Legends In Concert at Bally’s runs until June 30th. Get your tickets here! It’s a fun one!

Special Offers Update! Summer Kick Off Packages!

Looking to start your summer off right? Head up, over, down, whatever the case may be to Atlantic City for some beach, boardwalk, food and fun! And what’s even better is that you can do this all for a great deal! We have some awesome, new Summer Kick Off Packages for Harrah’s Resort Atlantic City,  Showboat Atlantic City and Bally’s Atlantic City on our Special Offers Page just dying for you to get your hands on them!

Valid Sundays through Thursdays from now until June 27th, take advantage of the following:

Bally’s Summer Kick Off Package

Starting at just $89, you can score:

  • Upgraded overnight digs in the Dennis Tower
  • $10 Beverage credit to the Jim Beam Wild West Bar
  • 1 p.m. Late Checkout for you sleepy heads

Harrah’s Resort Summer Kick Off Package

Starting at $49, enjoy:

  • Upgraded luxury accommodations 
  • Poolside $20 Beverage Credit
  • Late Checkout

Showboat Summer Kick Off Package

Starting at $55, take advantage of:

  • Luxury accommodations
  • $30 Food & Beverage credit at popular summer hot spot, Worship Surf Bar
  • 1 p.m. Late Checkout

And if you need a little more enticing, here are some special events happening during this booking period:

 

Father’s Day – June 16th

Sammy D's

Enjoy an abundance of food and drink specials on this day with your Pops! (Especially beer, many-a-dad like to kick ‘em back). Check out the specifics:

o     6ix: A Bistro at Bally’s – Blackberry BBQ Burger $13 & Draft Beers $2

o     Arturo’s at Bally’s – Four Course Menu $65 per person

o     Atlantic Grill at Caesars – Broccoli Cheddar Soup $10, Short Rib Pot Pie $31, Craft Beer $6

o     Café Roma at Caesars – Blackened Cajun Rib Eye Burger $15, Samuel Adams Boston Lager $5

o     Casa di Napoli at Showboat – Braised Beef Short Ribs and Seared Scallops $40

o     Crossroads At House Of Blues at Showboat – Brierre Burger & Caramelized Shallots $19.95, Sierra Nevada Drafts $4

o     French Quarter Buffet at Showboat -  $34.99; BBQ Menu includes a Glass of Wine or Beer 12 pm-9 pm

o     Dos Caminos at Harrah’s Resort – Bacon & Chicharon Guacamole $14, Short Rib en Cazuela Tacos $22

o     Sammy D’s at Harrah’s Resort -  3 course menus $24

 

Atlantic City Airshow – June 26th

GEICO Skytypers

This year is set to include the Firebirds Acrobatic Team, USAF Heritage Flight and Geico Skytypers for the grand finale! Check out the whole schedule of events here.

 

National Chocolate Pudding Day – June 26th

National Chocolate Pudding Day

Chocolate Pudding-Tini

If no other day or event strikes your fancy, this one is a sure bet! Who doesn’t love chocolate pudding! Take a look at the special Caesars Entertainment Atlantic City offerings for this momentous holiday:

o     6ix: A Bistro at Bally’s – Dark Chocolate & Banana Bread Pudding $7, White Chocolate Tapioca Pudding $7, Hot Fudge Berry Bread Pudding $7

o     Café Roma at Caesars – Oreo Chocolate Pudding Martini $7

o    Crossroads At House Of Blues at Showboat – Chocolate Pudding Cake $6, Chocolate Pudding-Tini $9

o     Scarduzio’s Steak & Sushi Lounge at Showboat – Chocolate Pudding Cake $9

 

So kick off your summer with good deals for good reasons…or not…who cares! It’s summer! Click the summer package links above to book or head over to the Special Offers Page! Total AC Blog loves ya! YOLO!

 

Christian Hoff Of The Midtown Men Talks Bringing Music of The ’60s & Happy Times To Harrah’s Resort Atlantic City

If you love the upbeat music of the ’60s, you totally loved Jersey Boys, and if you love Jersey Boys, you’re sure to love The Midtown Men! And if you’ve never seen Jersey Boys, you’ll still love The Midtown Men. Who are these mysterious dudes? The original Broadway cast of Jersey Boys! Christian Hoff, Michael Longoria, Daniel Reichard, and J. Robert Spencer. These guys had such a dynamite on-stage connection that they decided to keep it going in a slightly different capacity after their Broadway run came to an end! If it’s not broke, don’t fix it, right? The Midtown Men take the Four Seasons songs made even more popular in Jersey Boys and more hits from the ’60s to tell the real story of Hoff, Longoria, Reichard and Spencer. And they give the audience a killer time while doing it. Lucky for you,  you could be one of these audience members because they are coming to Harrah’s Resort Atlantic City this Saturday!

We chatted with the group’s Christian Hoff about all this and more! Read the interview, below.

The Midtown Men

TAC: How did your big break for Jersey Boys come about?

Christian Hoff: I knew the director, Des McAnuff, back from the “Tommy days” on Broadway. He was trying to track me down and had me in mind for this role of Tommy DeVito in Jersey Boys before it was even written. He finally found me because I was kind of laying low and he got me back in the racket. He told me that he had a show that he wanted me to do and that I’d be perfect for it. He wanted to know if I wanted to go back to Broadway. I told him if he wanted me to do it, I would take it all the way and we certainly did that. It was basically all the way to the Super Bowl. That Tony Award is my Super Bowl ring.

TAC: We were just going to ask about that Tony Award! How has it changed your life?

Christian  Hoff: I think anytime you win an award or get a medal or trophy, it just sort of grounds you in a reality. It’s sort of like looking at your timeline and seeing a big flag on it; a good one. It’s sort of like putting the flag on the moon or something; like I was there and I’m gonna leave this flag on it. That’s really what it means for me. I’m working just as hard or harder now than I ever did just to keep the same intensity that took me to Broadway and took me to the Tony Awards. It’s the same momentum that pushes me on now. It was a power boost, really. I’m so happy to be an entertainer. I’ve always wanted to do this and now with The Midtown Men I’m doing something completely different and just blowing it up and having a great time. That’s kind of my mantra: If you can’t have fun doing it, then don’t do it.

TAC: The Midtown Men was your brainchild. How did you get the idea to form this group?

Christian  Hoff: It came very naturally for the four of us that started the group. We came out of what we discovered on stage in Jersey Boys; what we discovered at Yankee Stadium or the US Open, or the New York City Marathon or the Today Show. Every time we step on stage together, we grow deeper roots. We were asked to keep doing this even when we left Jersey Boys and so we started doing it. We’re like brothers. We fight all the way to the stage, but when we get out there, all that energy and all that talent that we all individually have, we put it together and it just blows up. No matter how we’re feeling, no matter where we are, we light up the stage even more than we were able to do on Broadway if that’s possible.

TAC: How is Midtown Men different than Jersey Boys and why should people who are fans of Jersey Boys come see the show?

Christian Hoff: It’s really an extension of Jersey Boys. It’s everything that brought Jersey Boys to life taken to another level except for one thing: This is our story. This is our connection to the music and all the great music of the ‘60s. Jersey Boys was their interpretation of the Four Seasons songs and to bring their story to life. Now we get to bring our story to life. With all of that creative energy that goes into Jersey Boys, imagine being given the opportunity to tell a bigger story with the entire decade of music, you can imagine the response that we’re getting. People love this music and they love it being told in a new way. That’s why people love American Idol or The Voice. You want to hear these songs. You want to hear new interpretations of these great hits. That’s the great surprise of what we do on stage. The audience gets to see these rising individuals coming together for something that’s very unique. The message of the quality, commitment, camaraderie, is what takes us beyond the stage. We are all polar opposites, but we’re bringing that love against the odds. That message is what people want to hear now. Everyone is struggling and everyone has their own challenges and opinions of what’s going on in the world and the ‘60s music is setting the backdrop for us to speak to people on a lot of different levels: socially, emotionally, musically, politically, it’s cool.

TAC: Why are you excited to bring this message to Atlantic City?

Christian Hoff: I think this is about or tenth gig in AC. We love it! It’s like a playground. Especially after so much is being rebuilt and revitalized after Sandy. There is still so much hurt too. It’s just good to connect back to our roots and the roots that brought us together which is the music history of New Jersey, especially down the shore and especially Atlantic City. Reconnecting with those roots? Yes, please.

TAC: (Side note: We love Christian because he uses our kind of language. Yes please.) What’s your favorite song to perform in the show?

Christian Hoff: I love to sing “Time Of The Season” by The Zombies. It’s about coming together; it’s about loving; the time and the season for loving. And that’s the message of Midtown Men right now. It’s loving each other in spite of our differences, loving this music and taking it to the people. People that don’t get to see Broadway caliber guys in their hometown or they don’t get to see these edgy, Broadway characters or actors come to their symphony and bring songs to life. We’re doing a ton of symphony shows, so if you can imagine our music with an 85-piece orchestra behind us, it’s the coolest thing. The same thing happens with our 7-piece band. People go crazy because our band is so powerful and what we do on stage together is so powerful. Everyone is on their feet by the end just celebrating the music and hard work. It’s real guys sweating it out with microphones and a live band. Nothing but raw entertainers.

TAC: Obviously the show is based on the music of the ‘60s, but what kind of music is on your iPod?

Christian Hoff: I’ve got Keane, I’ve got Sinatra, I’ve got The Shins, and Michael Buble. That’s who I’m listening to right now.

TAC: Very cool. And we couldn’t not mention the fact that you have 5 kids! How do you balance fatherhood and your nonstop performing?

Christian Hoff: A strong wife, a good mother and a strong faith! Just having faith that I’m in my right place and she’s in her right place and those kids are getting loved. It’s like any long-distance challenge. A long distance relationship is tough, but you can imagine with five kids in the mix. You just gotta stay connected. Texting, pictures, videos and phone calls. That’s what connects us. And then when I’m home, I hit the ground running. All the travel and shows I’m doing is just as intense as what’s going on at home; kids learning how to read and walk and swim and play piano and be sisters.

TAC: What other plans are in store for this group?

Christian Hoff: We’re already booked for our fourth tour. That’s going to kick in right away after the summer. We are looking at different projects. We’ve got some film projects, recording projects and other business projects. As producers of the show, it’s opened up a new world of being producers, entrepreneurs and business guys. We’ve got so many ways to go, it’s insane!

TAC: What about you?

Christian Hoff: The opportunities are there. I’m always thinking, but there’s just not enough time to act on any of them!

 

Looks like The Midtown Men are at the top of the list for Christian Hoff and they should be at the top of yours too! Come check them out at Harrah’s Resort this Saturday at 9:00 p.m. Get your last  minute tickets here and love it!

Gov’t Mule’s Warren Haynes Talks “Preparing To Shout” & More At House Of Blues Atlantic City

“Music is not about statistics. It’s about what makes you feel good.” You like that? We do! So true! It’s a quote we just got from Warren Haynes of Gov’t Mule who are coincidentally playing at House Of Blues Atlantic City at Showboat this Saturday.

Haynes and original bassist Allen Woody spawned from the 1989 formation of The Allman Brothers Band which started as a 20th anniversary gig. Gov’t Mule first formed as a side project during breaks, but has been kicking it for about 19 years now and produced awesome hits such as “Soulshine”, “Banks of the Deep End”, and “Thorazine Shuffle”.

These multi-dimensional rockers are set to release their first album in four years in the upcoming months and are currently giving their fans a sneak peek of this and more on the road. We sat down to talk (obvs) with frontman Warren Haynes about all this and more! Check it out, below.

gov't mule

TAC: You became the lead guitarist for the Allman Brothers in 1989. How did that opportunity come about?

Warren Haynes: I had been playing with Dickey Bets who was one of the two original, founding guitar members of The Allman Brothers in the ‘80’s when The Allman Brothers Band was broken up. Starting around ’86 or ’87, I played in Dickey’s band and did one record with him and did a lot of touring with him. We wrote a lot of music together and we really kind of honed in our two-guitar relationship to the extent that when The Allman Brothers decided to reform in ’89, they asked me to join the band. Initially it was just for a reunion tour for the 20th anniversary, but the tour went so well that everybody decided to do it again and then the next year do it again. Here it is 44 years into the band’s career and 24 years since I joined the band.

TAC: Crazy! Allen Woody kind of went on this Allman Brothers Journey with you as well as the beginning of Gov’t Mule. How were you able to continue on without him after his death in 2000 and still keep the authenticity of the band?

Warren Haynes: It was very tough continuing without Woody. He was not only a close friend to both myself and Matt Abts the drummer of Gov’t Mule, but in a trio, each member really has to be hitting on all cylinders all the time and it’s really important in a trio to have the right chemistry more than it is in probably any other configuration or any other ensemble. When Woody passed away, our first inclination was to call it quits and thankfully a lot of our friends and people in the music business especially musicians who have lost band members and continued on and managed to not only keep their careers alive, but in some ways move onto bigger and better things, I got a lot of encouragement from a lot of those folks and I’m glad I did because you’re not thinking clearly when something like this happens and so for me to say we’re going to stop Gov’t Mule in the middle of all this  momentum would have been the wrong decision and here it is almost 13 years later, the band has grown so much. I know that Woody would have been proud of what we’ve done.

TAC: Do you have a favorite memory from the beginning days with Woody?

Warren Haynes: Oh, there are so many. In addition to being a wonderful musician, he was one of the funniest people that I’ve ever known and so most of the times when we think about Woody these days it’s things that make us laugh. Those memories are everywhere.

TAC: And now looking back over what Gov’t Mule has accomplished so far, what is your favorite memory?

Warren  Haynes: I think the thing that I’m most proud of is that we’ve been able to build an audience and build a career that’s continually grown and expanded without chasing commercial trends in any way and without compromising our music. Every record we’ve made and every tour we’ve done is all about what’s in our heart and what makes us happy, and thankfully there’s an audience to support that. I don’t think we could have been happy trying to second guess what the public wants, especially the mainstream public because that’s not where we’re coming from and so the fact that we’ve been able to do this and sell over two million songs as downloads on our website while doing exactly what we love to do is pretty amazing and not something I take for granted.

TAC: What can fans expect from your show here at House Of Blues on Saturday?

Warren Haynes: Most of our hardcore fans or fans that have been following us awhile know that every show is different. Every set list is different. What we play tonight in Portland, ME will be completely different from what we play tomorrow night in Boston, and what we play in Boston will be completely different from what we play in Atlantic City. For the most part, we always do two sets with a set break in the middle. Our shows are about three hours long and they consist of running the gamut of our entire career, not that we think of it that way as making sure that there’s something from every album or something like that. We don’t look at it that way, we just make sure there’s a lot of old, a lot of new, a little in between and that it’s different every time we go back. We keep a log of every show we’ve ever played, so when we go back to Atlantic City, we’ll look and see what we played last time and the time before and make sure that it’s different.

TAC: Is there a track that you pulled out recently that you haven’t done in a while?

Warren Haynes: There are several songs that we pulled out recently that we haven’t done in a long time. One is this song called “Slow Happy Boys” that we originally recorded on the Deep End series with our friend Jack Cassady from Hot Tuna and another one that we’ve been working off at rehearsal is this instrumental song called “Sun Dance” that we haven’t played since we recorded it. We recorded it on the Deep End series with Chris Squire playing bass and the band has never performed it live. On this tour, it’s gonna be the first time we ever have.

TAC: Very cool! You were named #23 on Rolling Stone’s 100 Greatest Guitarists of all time! How does that feel?

Warren Haynes: Well, that was quite a surprise. It’s not something I would ever expect. I was very honored to be included on that list, especially so high up. I think my list would be different and any music fan or any guitar player you talk to, their list would be different too because music is not about statistics. It’s about what makes you feel good. My list of favorite guitar players would be different than another guitar player’s list of favorite guitar players. At the same time, for all the hard work you put into something, it’s nice to be acknowledged whether it’s winning a Grammy or being on a list like that or any award. I used to think that they were cheesy, but now I just look at it like recognition for something you put a lot of hard work into.

TAC: Who would be on  your list?

Warren Haynes: Most of the lists tend to start with Jimi Hendrix at number one. I can’t really argue with that. There are so many people who I look at in the same light, but at the same time I don’t know of anyone I would put above Hendrix. There are people like Albert King, a great blues guitar player, that influenced Hendrix very deeply and influenced Stevie Ray Vaughan very deeply and influenced Eric Clapton and Duane Allman very deeply and obviously myself. Some of the blues guys like that didn’t sell as many records and didn’t get as much recognition, but they are so important in the family tree of rock guitar. Without people like Albert King and Freddie King and B.B. King, there would have been none of us.

TAC: You also just recently appeared on the latest release from Big Al & The Heavyweights. How did that collaboration come about?

Warren Haynes: Big Al’s an old friend. We played together back in the ‘80s. I heard he was doing a new CD and he asked me to play on a song. A lot of times, I don’t have time to do all of that kind of stuff that I would like to, so I’m glad it worked out that I had the time.

TAC: What’s next for you and Gov’t Mule?

Warren Haynes: We have a new CD coming out that’s hopefully going to come out in the middle or end of September and it’s called Shout. It’s our first CD since By A Thread which was in 2009. It’s something we’re extremely proud of. We’ve been working long and hard on it and we’re going to tour a lot behind that record. Even to the extent that we’re touring now which we’re calling the Prepared To Shout Tour which is starting several months before the record even comes out and once it comes out, we’ll have another year or so of touring behind it. We’re very excited. We’ve been playing a lot of new material and writing a lot of new material. It’s a very creative period right now.

 

So get yourselves prepared this Saturday at House Of Blues at Showboat Atlantic City! The show starts at 8 p.m.! Be sure to grab your last minute tickets here!

Southside Johnny & The Asbury Jukes To Provide A Night Of Fun, Emotion & Music At House Of Blues Atlantic City!

Who is in the mood for a good, ol’ Jersey style, Atlantic City Memorial Day weekend? A little BBQ food, some gambling, the sun and sand of the Atlantic City beach and boardwalk…sound good?! Well, we have one more way to add a little more “Jersey shore” to your itinerary and we’re NOT talking about the TV show. We’re talking about Southside Johnny & The Asbury Jukes, one of the first bands to come out of the Jersey Shore (Asbury Park, duh) in the ’70s. This is the same place and time that birthed Bruce Springsteen & The E Street Band. Needless to say, Southside and Bruce know each other pretty well. The Boss even has writing credits and vocals on some of his albums.

Anyway, these guys have a great following in the Northeast as well as Europe (go figure) and will be playing the House Of Blues Atlantic City at Showboat on Friday. Learn more about the band and check out an interview we did with Southside earlier last week, below.

Southside Johnny & The Asbury Jukes

 

TAC: This band seems very hard working and has had ups and downs, but always seems to emerge with small victories. What about this band makes you the most proud?

Southside Johnny: I think it’s the consistency. You’re on the road and you get to that 38th day, and you start to be really tired and a lot of the guys have kids, and they want to be home. You can get to that point where you don’t know if you want to continue, but you get up on stage and have a great show, and you realize that’s what you do it for. We never dog it on stage. We always find some way to have fun, find something new and enjoy the audience’s reaction.

TAC: Bruce Springsteen has writing credits on a bunch of your songs. Tell us something about him that we wouldn’t know.

Southside Johnny: Well obviously, he’s a very generous guy. He’s given me some great songs; songs that really could have been hits for him. He’s a very generous man. I shouldn’t say this because he doesn’t like to talk about it, but he does a lot of charity things. He always calls me up and says ‘Southside! We’re gonna do a thing!’. And we go and do charity shows with Bobby Bandiera in the band, and we do Chuck Berry and Wilson Pickett and we have a great time. He really believes in doing things for other people.

TAC: Oh, Bruce. Now let’s flip it! What’s something about Southside Johnny & The Asbury Jukes that many people don’t know but should?!

Southside Johnny: I can tell you something about me, I’m a bird watcher! I love watching birds and going into the woods with binoculars, a camera and a bird book, and just being lost in there for hours. I’ve gone all around the world looking at birds: Costa Rica, the South of France, Spain, Mexico, a lot of places. All across the United States too.

TAC: No way! Songs From The Barn was released in January 2013. What’s special about this album?

Southside Johnny: This is a side project of mine that is semi-acoustic. We play a lot of acoustic guitars. We have some electric instruments too, but it’s just a chance to do different material. It started out with me wanting to do some folk-ish things and a little country; and I started writing songs for it and thought well, we might as well record it if we’re going to put that much work into it. But really it’s not Jukes. There’s not a horn section, it’s not R&B, although there is R&B on it. It’s just more acoustic oriented. Nothing I do fits in any category.

TAC: You change your set lists nightly. What’s the process like of deciding what fits for what crowd?

Southside Johnny: Usually it happens within the show. I usually pick a song with how I feel that night. If I feel like doing something hard and fast, or something soulful, whatever it is I feel like doing. When I walk on stage, I’ve been known to change the very first song if I feel like the audience wants something different than what I want. But during the show, if I want to do the song, I’ll just do the song. I’ll call it out or I’ll just start singing it and we’re very flexible. The band is great that way. They can handle every curveball I throw at them which gives you a lot of freedom on stage. It makes you feel emotionally involved in the show because you’re not locked into anything. If I had to do the same show night after night, I might as well work in a cubicle in an office. I just can’t do the same thing over and over again that’s one of the reasons why I got into the music business.

TAC: Many of your followers hail from the Northeast and the UK and Europe. How are they similar? What is a Southside Johnny fan like?

Southside Johnny: Well usually, they sing along. A lot of times, they come up and sing, too. It’s just the enthusiasm. We’re not trying to prove anything. We’re not trying to convince anybody that we’re great. All we’re trying to do is play music and enjoy it and hope that the audience enjoys it, and it bounces back and forth between the audience and the band. You break down the barriers and it just becomes a night of fun, emotion and music. The Europeans understand that instinctively. The difference is that when I tell a joke on stage in America, people don’t laugh. But when I tell a joke in Europe, they don’t laugh because they’re translating it!

TAC: What can fans expect from your hometown show at HOB on 5/24?

Southside Johnny: It’s pretty much spontaneous. We don’t have routines or anything like that. We just let fly on stage! Hopefully there will be some humor too. Like I say, it is not a night of deep, philosophical seeking. It is a night of fun and enjoyment. If there’s an emotional moment in there, that’s great too. We want to have two hours-worth of music instead of worries of the day or any of that. Just come, get excited, and enjoy yourself.

TAC: We’re sure you have some memorable stories from Atlantic City over the years! What sticks out in your mind?

Southside Johnny: I have one from the last time we played in Atlantic City. Our road manager dragged me over to the $5 machine and I subsequently put $500 into the damn machine and watched it disappear! So he owes me $500! I’m gonna get him for that!

TAC: Well, you’re coming to the right place to get him back! Does performing live still give you those same feelings you felt while doing it in the mid ‘70s?

Southside Johnny: It’s different. It’s changed a lot more now, but I still get a thrill out of doing it and when it really connects with the audience, and you’re lost in it, it’s the same thing. It’s just the greatest feeling in the world. It’s better than sex! But not much!

TAC: LOLz. What do you still hope to achieve with this band and your career?

Southside Johnny: I just want to keep making music. There’s always things to do; there’s always styles to explore. The last studio album The Jukes made came out of a lot of anger from the recession with people losing their houses and losing their jobs. You write about what’s happening to you at the moment or in the last few moments of your life. And I’m in a pretty good place now, so I think that the next album will be R&B, love song, upbeat stuff. But, we’ll see! It’s an adventure all the time.

 

Sounds like it! Just keep doing what you’re doing, Southside Johnny!

Isn’t this man a hoot, though? And a damn good musician! Jersey’s finest for sure! Come see Southside Johnny & The Asbury Jukes in action on Friday at House Of Blues at Showboat Atlantic City at 8:45 p.m. Get your last minute tickets here!

 

Your 2013 Total AC Blog Memorial Day Weekend Preview

It’s that time, once again! Time for the summer to start in Atlantic City, woo! You know Caesars Entertainment Atlantic City properties have some awesome fun planned to celebrate this long, happy weekend. Coming down,up,east,whatever to see us? Thinking about coming to see us? Here’s what’s in store for you!

 

Friday – 5/24 

 

OPENING OF BIKINI BEACH BAR at Bally’s

2:00 p.m.

bikini beach bar

Looking for sun in your face, a view of the ocean, drinks and fun? It’s all right here for ya! Late Night Alibi will kick off the celebration from 2 p.m. to 6 p.m. and DJ Iron Mike will be in the house from 3 p.m. to 8 p.m. Kristin And The Noise will rock the  bar from 8 p.m. until midnight and DJ Joey Katz will take over the ones and twos at 8 p.m. The party will continue every day, all summer long starting at 2 p.m. and ending at 3 a.m. You know you love it, get there!

 

LEGENDS IN CONCERT at Bally’s

8:00 p.m. (Friday & Sunday), 7:30 p.m. & 10 p.m. (Saturday)

Legends In Concert

It’s the summer cast of “the world’s greatest live tribute show” at Bally’s Atlantic City again this summer! Tina Turner, Tom Jones, Michael Bublé, Katy Perry and Elvis will bring you on a musical journey from decades spanning from the ’50s to today, and will leave you believing that you really are California Gurls and Hound Dogs. Crazy, right? You love the Legends In Concert! It’s always a good time!

 

BLUES TRAVELER at Harrah’s Resort

8:00 p.m.

Blues Traveler

Don’t even lie. You totally remember this.

 

1994 at your door, right there. A lot has changed since the ’90s though. Bassist Bobby Sheehan died of an accidental drug overdose in 1999 and was replaced with guitarist Chan Kinchla’s  brother, Tad. Keyboardist Ben Wilson also signed on with the band soonafter as Sheehan had often multitasked. The new formation started out small with an EP, Decisions Of The Sky: A Traveler’s Tale Of Sun And Storm, and then really went to work. They’ve released six major albums since, their newest being Suzie Cracks The Whip, last summer. These Jersey boys are starting THIS summer off at The Concert Venue at Harrah’s Resort Atlantic City. Check out the awesome collection of old hits and new tunes and get your last minute tickets here!

 

SOUTHSIDE JOHNNY & THE ASBURY JUKES at House Of Blues Atlantic City

8:45 p.m.

Southside Johnny & The Asbury Jukes

From one group of Jersey guys to the next, Southside Johnny & The Asbury Jukes are ready to take it back where it all started: The Jersey shore. With ties to Bruce Springsteen and Bon Jovi, these guys know how to rock it just how Jersey likes it and have a strong fanbase in the Northeast as well as throughout Europe. In fact, Springsteen mentioned that he always wanted to be a Juke…and still does! If BRUUUUUUUCE is a fan, you know you gotta be too! Check it out at the House Of Blues at Showboat Atlantic City and get your tix!

 

THIRD EYE BLIND at Caesars

9:00 p.m.

Third Eye Blind

Do. Do. Do, do-da-do-do…”Semi-Charmed Life”, duh. Our fav.

 

We love us some “How’s It Going To Be” and “Jumper” too. What can we say? Kids of the ’90s. If you’re like us, then why not come see some 3EB at The Circus Maximus Theater at Caesars Atlantic City? Their stuff just sticks with ya! Get your tickets here now, cause they will most likely be gone soon!

 

AQUA FRIDAYS WITH SEAN LOWE at The Pool After Dark

10 p.m.

Sean Lowe

We are ABSolutely excited about this one! One of the most popular Bachelors of all the 17 seasons on ABC is coming to The Pool After Dark at Harrah’s Resort Atlantic City! What?! This makes us kinda glad he got recently got kicked off Dancing With The Stars because now he can focus all of his attention on us….and his new fiance, the lovely Catherine Giudici, of course. But seriously, hold onto your panties girls cause it’s gonna be one of those nights. Pricing starts at $10.

 

Saturday – 5/25

 

NATIONAL WINE DAY at Harrah’s Resort

All day long

National Wine Day

Not only is this day the Saturday of a long, holiday weekend but it is National Wine Day! It all couldn’t have worked out more perfectly! Enjoy Champagne Sangria for $9 or Sangria Pitchers for $24 from Dos Caminos (pictured above) as well as Sammy D’s (pitchers only).

 

OPENING OF WORSHIP SURF BAR at Showboat

3:00 p.m.

Worship Surf Bar

It’s not just the weekends anymore! This beauty will be regularly open for business starting today. Take part in a Hennessy Bonfire from 3 p.m. to 7 p.m. for some extra kicks as well as a Soul Party Shakedown at the same time, same place on Sunday! Surfs & bottoms up at Worship Surf Bar at Showboat Atlantic City!

 

MARY J. BLIGE at Caesars

9:00 p.m. (Saturday & Sunday)

Mary J. Blige

Let’s get crunk cause Mary’s back! We know you love your Mary J. at The Circus Maximus Theater over Memorial Day weekend, so she will take you from “No More Drama” to “Be Happy” Saturday AND Sunday! How ’bout it?! There’s not much more we can say other than she rocks and we love her. Get your tickets here before they sell out!

 

PAULY D at The Pool After Dark

10:00 p.m.

Pauly D

It’s a summer kick off party with one of The Pool After Dark’s resident DJs, DJ Pauly D! Nothing screams summer at the Jersey Shore like this kid! Be sure to rest up those fists! A lot of pumping & more is about to go down! Pricing starts at $20. Advanced tickets are currently on sale here. Yeah, buddy!

 

Sunday – 5/26

 

NATIONAL CHERRY DESSERT DAY at Caesars & Bally’s

All day long

National Cherry Dessert Day

Holiday weekends also serve as a good time to eat whatever the heck you want and not feel guilty about it, so National Cherry Dessert Day on Sunday sounds good to us! Gobble up some Cherry Cobbler with Vanilla Ice Cream for $5 at 6ix: A Bistro at Bally’s Atlantic City (above) and try out some Cherry Ricotta Bambolini and Cherry “PopTarts” for $8 each at Nero’s Tuscan Steakhouse at Caesars Atlantic City. This is literally the cherry on top of the weekend, ya’ll.

 

A 12 HOUR NON-STOP POOL PARTY WITH LIVE PERFORMANCE BY JAY SEAN at The Pool After Dark

4:00 p.m.

Jay Sean

There’s no other way to go out of a holiday weekend than with a bang and The Pool After Dark at Harrah’s Resort Atlantic City is doing exactly that. A 12 hour pool party?! Heck, yeah! Get down to a  Hip Hop Showcase and EDM DJs outside The Pool and EDX, DJ Vito G, DJ Eddie Edge, DJ Ed Smooth, DJ Mazz, DJ Desisto, DJ Johnny B, DJ Banner, DJ Crazy, DJ Nick Z and DJ Camilo INSIDE! Oh yeah, and JAY SEAN too!

 

Plus, test your skills in a volleyball tournament and go home with a lot of cool swag! Always an epic time at The Pool After Dark! Advance tickets: here.

 

ONE MILLION DOLLAR GIVEAWAY at Harrah’s Resort Atlantic City

10:00 p.m.

Millionaire Maker by Total Rewards

Experience the first of four exciting $1 million giveaways this summer at Harrah’s Resort! Finalists will be chosen earlier in the night from those who have activated their entries (earned Total Rewards credits). Robin Leach will draw a number in the Harrah’s lobby and make one of these peeps a millionaire by night’s end! Can you imagine?! Start imagining, maybe it will be you!

 

Seriously. How can you end a holiday weekend better than that? We can’t think of anything more! We wish a safe, happy, fun, yummy and wealthy Memorial Day weekend to all of you!